Friday, 23 November 2012

cordellas

From a Seth class in 1974:

SETH: All languages are built upon alphabets, and those alphabets are what is left over, for beneath those alphabets are, what in Sumari we call cordellas, which are the source of alphabets. The shapes of letters are indeed important, and on different levels they represent something else. In different ways, you are being told this in Sumari, and even in some of Ruburt’s poetry, when he hints at fossiling.

The symbols for cordellas and alphabets are not only written in ancient rock for your archeologists so nicely and neatly to discover, they are written in your blood. There is a connection, for example, between shape of viruses and of cells and those seemingly ancient symbols that you find written in the rocks. And that is my clue for you."

"In your work with me, various kinds of teaching methods will be provided. Steps and bridges will be used.

It is senseless to ask whether or not a bridge is true. It exists. It gets you somewhere. A bridge is a valid reality, regardless of its architecture to the type of symbols that maybe written upon it, or its color, or the material from which it is made. The Sumari language is a bridge and valid in those terms. it will lead you into the use of the inner senses, away from the confining nature of pet phrases and familiar language that is already loaded with its own connotations.

The Sumari language is a bridge, then, in those terms; a method of communication. It is the beginning of a logically unstructured vehicle that will carry you, hopefully, into the inner heart of perception. I hope that eventually it will allow you to experience more fully the inner cognizance that is beneath physical perception and physical translation.

A bridge serves both coming and going, and carries goods in both directions. The Sumari language in those terms will be used as a method of carrying you further into the nature of inner cognizance, and then allowing you to return again, retranslating what you have learned, but not automatically, into stereotyped verbal patterns. The language will effectively block the automatic translation of inner experience into stereotypes, therefore. ~ Seth

Adventures in Consciousness
Jane Roberts

MORE HERE:

http://www.flickr.com/photos/lfdeale/3400524846/


Eric's music dream reminded me of cordellas, which sounds kind of string-like (now Strings of Nines is the new Group Story, Circle of Eights is 'finished')

Thses pages are from Adventures in Consciousness by Jane Roberts. Coincidentally, the next chapter is about the writing of Oversoul Seven.




and these two pages are from Oversoul Seven by Jane Roberts

Villamartin Dolmen Script

Feb 1, '12 1:19 AM
para Todos
http://www.juntadeandalucia.es/cultura/museos/MCA/index.jsp?redirect=S2_3_1_1.jsp&idpieza=100&pagina=1
Quartz crystal prism, Transparent, slightly smoky, featuring hexagonal. It is a natural product formed by crystallization of igneous rocks, particularly pegmatites.
Length: 20 cm. Average thickness: 6.5 cm.
Neolithic (transition from V to IV millennium BC). Origin Alberite Dolmen, Villamartin, Cadiz.

auto translate:
This is one of the most interesting prehistoric province of Cadiz. The rarity of the material, from a distant area (possibly the Central System), and a burial deposit megalithic allow a number of considerations. It has a clear purpose and prestige undoubtedly linked to magical thinking, which attributed certain powers to the rare materials like this. It is little room available to communities, so that your deposit inside the dolmen of special veneration Alberite indicates that it was subjected. This piece has a number of problems of dating, connected with the chronology assigned to the dolmen Alberite by their excavators, J. Munoz and F. Ramos Giles Pacheco. These researchers have pointed to this chronology Neolithic megalithic tomb, which contrasts with the traditional date for this type of construction, set in the Bronze Age (third millennium BC). Recently, however, has been pointing toward a dating usually older than the megalithic constructions admitted to the Atlantic coast of the Iberian Peninsula.

sumari 005dolmen villmartin cadiz 013Villamartin dolmenVillamartin dolmendolmen Villamartin Cadiz
Top photo, Oversoul 7, by Jane Roberts ~ Sumari cordellas
Other photos from this documentary about the dolmen at Villamartin, Cadiz:
http://www.rtve.es/alacarta/videos/arqueomania/arqueomania-capitulo-12/1306865/
http://www.mundocultural.net/rupestre/alberite.htm
http://druta.wordpress.com/2011/10/15/dolmen-de-alberite-villamartin/
http://cuevadelapileta.blogspot.com/2012/01/arqueomania-capitulo-12.html?spref=fb
Huelva megalithic writing 3000 years before the Phoenician script

and some more related ancient Iberian stuff:
http://www.labitacoradejenri.blogspot.com/2011/12/en-busca-del-santuario-ibero-de-tossal.html
Tanit ~ Iberians

www.historiayarqueologia.com
via La Bitácora de Jenri
www.youtube.com
Tartessos o Tartéside (griego: Τάρτησσος, latín: Tartessus) fue el nombre por el que los griegos conocían a la primera civilización de Occidente. Heredera de...
http://www.youtube.com/watch?v=VqHIv8sOYIo&feature=related*
http://www.youtube.com/watch?v=Esy6HpJ6JPo&feature=related*
www.youtube.com
Íberos-nuestra civilización antes de Roma. Exposición "La Caixa" A partir del s....
via La Bitácora de Jenri
A small preview of the book ~ Georgeos Díaz-Montexano on the location of the legendary Tartessos.
via La Bitácora de Jenri
Our weekly magazine with news of Archaeology at Spain is ready: http://paper.li/LaBdejenri
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJuVyfLc4BJjNloV3eah0INDECysQkA1Nt64SjJ43irpFtUnEt6w3gmQ74F9DQJ6F2CKyZfvM7hQC3A6_DtAeodloziP_HMs9ge8JyAf55_CKT0ecLvNxkA-0DLPApEGvQ14fQwW1pZlj/s1600/carambolo.gif
http://rafeum.multiply.com/journal/item/11/Tanit_Phoenicians_in_Spain

ancient Iberian script:
http://youtu.be/alPptcDcI8M
Kev Wordblade Script
Kev Wordblade Script

Saturday, 17 November 2012

Sundog


It was a beautiful drive up the mountains to Rachel's BBQ last night, the dry landscape glowing gold in the evening sun, the whitewashed castle topped villages glowing against the dark mountains ~ what a beautiful place to live! From the ridge at the top of Gaucin, you could see mountains behind mountains on the north African coast, behind a shimmering strip of heat haze over the water. All the drive up there I was thinking of KC and wondering about all this 'communicating in energy' and wondering how I could ever be really sure, without a validation in words, or some kind of conversation to 'prove' it, if we really were communicating in energy. Well, I know we do it all the time, but so far for me, it's not as defined as communicating in words. I was thinking to myself, I know when I am communicating in energy with KC for example, but how will I know if she received it? So then I thought to myself, well there will be a sign, I'll see something and just know. I just happened to glance at the clock and it was 8:57, coincidentally right at the spot where I saw the sundog last year.

On that trip up to Salitre last year, I'd been talking to KC before we set off, and invited her to come with me, out of body. Now KC, for those of you who don't know her, is always talking about colours. She says things like 'sending all my colours!" and things like that. Well, when we got to the top of the ridge at Gaucin, we drove round a bend in the road and I saw it! The most amazing sundog! It was a huge rippled rainbow of colours, and I shouted "OH MY GOD IT'S A SUNDOG", and Darren swerved a bit saying "What! What!" and then rolled his eyes when I said it was a cloud thing.

When I got home I told KC about the sundog, and then it was her turn to say "OH MY GOD!" She said she had projected to Salitre, and imagined herself flying in the sky up there dripping colours off the end of her fingers. I didn't know beforehand she was going to be doing that, but I saw the colours in the sky!

Well, I thought that was just awesome. I googled sundogs afterwards and found they are quite rare and that certain conditions, such as the sun being 57 degrees from the horizon and so on, are necesary for sundogs to happen.

So, back to yesterday, I had decided that I would see a sign as a validation that KC had received my energy communication. As we turned down the Salitre road,

I SAW ANOTHER SUNDOG!

the red convertible


Just looked at the photo album that Opan (Captain Bridger of the Time Bridgers) posted of the photos from the Elias group session in Vermont this past weekend, whoa that red car! I wrote this yesterday:


"....and I've been toying with the idea of a dream vehicle all day, I seem to
have dreamed of a cartoony red convertible more than once..."


What a start to the day, this red car sync just blew me away! I was just about
to go back to bed to try and remember some dreams, but who needs to be alseep!
LOL


I saw a car like this in the Thames years and years ago, it was driving down the
river, and then drove out at Chiswick Eyot and drove off up the road. (Just
remebering that my plane flew low over Chiswick Eyot on my way to the Elias session
in Castaic a few years ago, there was a dream sync with that which I can't
recall...)


After spotting Share's eu de nil (KC's involved in this somewhere!) retro dream
motor scooter in Gibraltar the other day (while I was stuck in traffic next to
the Eye of Horus sticker on the wall), and having just re read Jib's Tiles
article in Wisp in which he mentions his yellow bulldozer dream vehicle (which I
had a waking dreamsnapshot incident sync with at Salitre at the time), I'd been
thinking about my own dream vehicle and kept thinking of the red convertible
that turned up to pick me up for an out of body get together at the Castaic
Motel some time after my trip there.


There were a few red syncs yesterday too, with red pigments and cochineal,
(syncy with Share and the blue pigments) the alchemist legend of the red dye and
I just happened without planning it to visit the magical waters of the Genal
river of the legend yesterday without realizing the pigment sync until I got
home. To top it all off, my Timebriger focus Sophie had told me ages ago to
focus on red.

Coincidentally! last night before I went to bed I put the crocodile I had an impulse to buy in Gibraltar with the Billy Johnson head and the Mimsey rabbit for some energy canoodling before the crocodile gets posted to Share ;)

I read Opan's post today saying: "TimeBridger activity is about to start up again...you heard Elias...you were there. :) I can't wait!!! :)"

TimeBridgers:


The Billy Johnson Heads & The TimeBridgers:





Time Travel and The Last Mimsey


Tiles of the City and Jib's yellow bulldozer


The Alchemist and the Red Dye

Legend has it that there was a family of dyers in Moorish times that lived on the banks of the Genal river, and there made their exquisite crimson dyes. Their secret, it was said, was in the magic properties of the river water, from which they filled their wells. Their produce was sent to Cordoba, Granada and Malaga, and the magic formula remained in the hands of the dyer Abdesalam ben Arrabat, whose fame as an alchemist spread far and wide.

Yesterdays photos of the Genal waters


Share's Colour posts

Mayan Colours


Aztec Colours





the absinthe cafe

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The Absinthe Cafe

2010 ~ 2016

Dawn and Mark had a bottle of Absinthe (the proper stuff with the WORMwood in it, which is illegal in France) but forgot to bring it.

Wandering around at some point, we chanced upon a cafe called Absinthe.

Sitting on the terrace, the waitress came up and looked right at me and said

"Oh you are booked to come here tomorrow night!"

and then said "Forget I said that".

Naturally that got our attention.

After we left Dawn spotted a kid with 2016 on the back of his T
shirt. We asked Arkandin about it and we have a concurrent group focus that does meet in that cafe in 2016, including Britta.

Dawn's name is Isabelle Spencer, Jib's is Jennifer, I think I'm Eleanore and Britta is Cassandra, and Madison is there too I think...

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the worm and the suitcase

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The Worm & The Suitcase

2010 ~ 2163


I borrowed Rachel's big red suitcase for the trip and stuck a Time Bridgers
sticker on it, and joked before I left about the case disappearing to 2163. I
had an impulse to take a fig tree sapling for Eric and Jib, which did survive
the trip although it looked a little shocked at first. As Eric was repotting
it, we noticed a worm in the soil, and I said, Well, if the fig tree dies at
least you have the worm.

At Balzac's house on a bench in the garden there was a magazine lying there open
to an ad for Spain, which said "If you lose your suitcase it would be the best
thing because you would have to stay".

Later we asked Arkandin and he said that there was something from the future
inserted into my suitcase. I went all through it wondering what it could be,
and then a couple of days ago Eric said that it was the WORM! because of the
WORMwood absinthe syncs, and worm hole etc. I just had a chat with Franci who
had a big worm sync a couple of days ago, she particularly noticed a very big
worm outside the second hand shop, and noted that she hadn't seen a worm in ages
~ which is also a sync, because there was a big second hand clothes shop next to
Dawn and Mark's hotel that I went into looking for a bowler hat.

Arkandin said, by the way, that Jane Roberts did forget to mention the bowler hats in
OverSoul 7, those two guys on the balcony were indeed wearing bowler hats, and that
they were the same guys that were in my bedroom in the dream I had prior to
finding the Seth stuff ~ Elias and Patel.


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the dream bean and the gameboard

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The Dream Bean & The Game

Eric cracked open a special big African bean that is supposed to enhance
dreams/lucidity so we all had a bit of it. The second night I remembered a
dream and it was a wonderful one.

(Coincidentally, on the flight home I read a few pages of my book and it just
happened to be about the council of five dragons and misuse of magical beans)

In the dream I had a companion with magical powers, who I presumed was Jib but
it was myself actually. It was a long adventure dream of being chased and
various adventures across the countryside, but there was no stress, it was all
great fun. Everytime things got a bit too close in the dream, I'd hold onto my
friend with magical powers, and we would elevate above the "adventure" and drop
down in another location out of immediate danger ~ although we were never
outside of the adventure, so to speak. At one point I wondered why my magical
freind didn't just elevate us right up high and out of it completely, and
realized that we were in the adventure game on purpose for the fun of it, so why
would we remove ourselves completely from the adventure game.

The other dream snapshot was "we are all working together on roof tiles" and
Arkandin had some interesting stuff to say about that one.

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