Friday 23 November 2012

cordellas

From a Seth class in 1974:

SETH: All languages are built upon alphabets, and those alphabets are what is left over, for beneath those alphabets are, what in Sumari we call cordellas, which are the source of alphabets. The shapes of letters are indeed important, and on different levels they represent something else. In different ways, you are being told this in Sumari, and even in some of Ruburt’s poetry, when he hints at fossiling.

The symbols for cordellas and alphabets are not only written in ancient rock for your archeologists so nicely and neatly to discover, they are written in your blood. There is a connection, for example, between shape of viruses and of cells and those seemingly ancient symbols that you find written in the rocks. And that is my clue for you."

"In your work with me, various kinds of teaching methods will be provided. Steps and bridges will be used.

It is senseless to ask whether or not a bridge is true. It exists. It gets you somewhere. A bridge is a valid reality, regardless of its architecture to the type of symbols that maybe written upon it, or its color, or the material from which it is made. The Sumari language is a bridge and valid in those terms. it will lead you into the use of the inner senses, away from the confining nature of pet phrases and familiar language that is already loaded with its own connotations.

The Sumari language is a bridge, then, in those terms; a method of communication. It is the beginning of a logically unstructured vehicle that will carry you, hopefully, into the inner heart of perception. I hope that eventually it will allow you to experience more fully the inner cognizance that is beneath physical perception and physical translation.

A bridge serves both coming and going, and carries goods in both directions. The Sumari language in those terms will be used as a method of carrying you further into the nature of inner cognizance, and then allowing you to return again, retranslating what you have learned, but not automatically, into stereotyped verbal patterns. The language will effectively block the automatic translation of inner experience into stereotypes, therefore. ~ Seth

Adventures in Consciousness
Jane Roberts

MORE HERE:

http://www.flickr.com/photos/lfdeale/3400524846/


Eric's music dream reminded me of cordellas, which sounds kind of string-like (now Strings of Nines is the new Group Story, Circle of Eights is 'finished')

Thses pages are from Adventures in Consciousness by Jane Roberts. Coincidentally, the next chapter is about the writing of Oversoul Seven.




and these two pages are from Oversoul Seven by Jane Roberts

Villamartin Dolmen Script

Feb 1, '12 1:19 AM
para Todos
http://www.juntadeandalucia.es/cultura/museos/MCA/index.jsp?redirect=S2_3_1_1.jsp&idpieza=100&pagina=1
Quartz crystal prism, Transparent, slightly smoky, featuring hexagonal. It is a natural product formed by crystallization of igneous rocks, particularly pegmatites.
Length: 20 cm. Average thickness: 6.5 cm.
Neolithic (transition from V to IV millennium BC). Origin Alberite Dolmen, Villamartin, Cadiz.

auto translate:
This is one of the most interesting prehistoric province of Cadiz. The rarity of the material, from a distant area (possibly the Central System), and a burial deposit megalithic allow a number of considerations. It has a clear purpose and prestige undoubtedly linked to magical thinking, which attributed certain powers to the rare materials like this. It is little room available to communities, so that your deposit inside the dolmen of special veneration Alberite indicates that it was subjected. This piece has a number of problems of dating, connected with the chronology assigned to the dolmen Alberite by their excavators, J. Munoz and F. Ramos Giles Pacheco. These researchers have pointed to this chronology Neolithic megalithic tomb, which contrasts with the traditional date for this type of construction, set in the Bronze Age (third millennium BC). Recently, however, has been pointing toward a dating usually older than the megalithic constructions admitted to the Atlantic coast of the Iberian Peninsula.

sumari 005dolmen villmartin cadiz 013Villamartin dolmenVillamartin dolmendolmen Villamartin Cadiz
Top photo, Oversoul 7, by Jane Roberts ~ Sumari cordellas
Other photos from this documentary about the dolmen at Villamartin, Cadiz:
http://www.rtve.es/alacarta/videos/arqueomania/arqueomania-capitulo-12/1306865/
http://www.mundocultural.net/rupestre/alberite.htm
http://druta.wordpress.com/2011/10/15/dolmen-de-alberite-villamartin/
http://cuevadelapileta.blogspot.com/2012/01/arqueomania-capitulo-12.html?spref=fb
Huelva megalithic writing 3000 years before the Phoenician script

and some more related ancient Iberian stuff:
http://www.labitacoradejenri.blogspot.com/2011/12/en-busca-del-santuario-ibero-de-tossal.html
Tanit ~ Iberians

www.historiayarqueologia.com
via La Bitácora de Jenri
www.youtube.com
Tartessos o Tartéside (griego: Τάρτησσος, latín: Tartessus) fue el nombre por el que los griegos conocían a la primera civilización de Occidente. Heredera de...
http://www.youtube.com/watch?v=VqHIv8sOYIo&feature=related*
http://www.youtube.com/watch?v=Esy6HpJ6JPo&feature=related*
www.youtube.com
Íberos-nuestra civilización antes de Roma. Exposición "La Caixa" A partir del s....
via La Bitácora de Jenri
A small preview of the book ~ Georgeos Díaz-Montexano on the location of the legendary Tartessos.
via La Bitácora de Jenri
Our weekly magazine with news of Archaeology at Spain is ready: http://paper.li/LaBdejenri
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJuVyfLc4BJjNloV3eah0INDECysQkA1Nt64SjJ43irpFtUnEt6w3gmQ74F9DQJ6F2CKyZfvM7hQC3A6_DtAeodloziP_HMs9ge8JyAf55_CKT0ecLvNxkA-0DLPApEGvQ14fQwW1pZlj/s1600/carambolo.gif
http://rafeum.multiply.com/journal/item/11/Tanit_Phoenicians_in_Spain

ancient Iberian script:
http://youtu.be/alPptcDcI8M
Kev Wordblade Script
Kev Wordblade Script